- Situated within the 1930s Irish Republic
- Focuses on the difficulties facing women struggling to realise themselves in a society whose revolution produced not greater opportunities but a codification of secular and religious paternalism
- Presents an awareness of the past as connected to the present.
- Women had unequal rights to men- legislative paternalism
- Women were only usually seen as being and mother and/or a wife
- Only in 1936 the Public Dance Hall Act had been passed before dancing was frowned upon by the church
- Alliance between church and state produced legislation and cultural expectations particularly oppressive to women
- The play is set mainly in the Munday rural Western kitchen stereotypical locale of of Irish plays
- Kate assumes authority on the basis of her income and dismisses the value of unpaid household work
- Presents a sympathetic domestic story of women, emphasising its significance for both private and public life
- The opening tableau provides a visual emphasis on gender differences: the sisters "drab" clothing contrasts with the "magnificent" uniform of father Jack and with he "splendid" plumage of Gerry's hat.
- Visually the women are fully recognisable in the naturalistic kitchen setting
- The men are visitors from other, exotic world
- Radio arrives just as Ireland severs ties with Britain
- Church-state focus on focus on sexual behaviour and religious Orthodox
- Arrival of the industrial industry- opening of the glove factory
- Employment possibilities for women were limited
- Women were paid less than men
- Sisters are isolated mentally and physically
- New Irish free- even just seemingly innocent traditional celti activities came to be frowned upon by an increasingly conservative state and church
Tuesday, 15 April 2014
Context of Ireland
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